mark indigo -> RE: Guitar supports and back problems (May 29 2009 12:52:07)
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quote:
An important issue... Have you considered a thinner guitar like Cordoba's 55 FCWE? I've never had back problems due to electric guitar and am not aware of it being an issue for other electric guitar players. Oscar Herrero mentions back problems being a common issue for flamenco players. The deeper body causes poor posture by forcing the player to reach over the instrument. IMO if your upper arm is longer than the depth of the body you won't have a problem! The deep body does not "force" the player to reach over it, as reaching over it is not necessary, all you have to do is to place your arm over it. One thing i think is a problem is that players start at a young age and are used to their chins being just over the guitar, and as they grow they stick with this idea, and crouch over the guitar, generating all kinds of back problems.... but it's not necessary to crouch over the guitar like this, and it's not the guitars fault! Even people who learn guitar at a later age get the same problem, because they watch people who sit/play like this and think that's the way to hold the guitar/play. quote:
how about the traditional position? While looking for something else in Paco Sevilla's book on Paco De Lucia i found this passage about holding the guitar the traditional way; "the position had been devised by very small people, and a modern six-footer had to dangerously contort his right hand in order to get it anywhere near the strings (with frequent tendon damage as a result).... keeping the guitar upright required considerable muscular effort, necessitating the squeezing of the instrument between the thigh and arm, and sometimes the support of the guitar neck with the left hand, which, ideally should be completely free to move around the fingerboard." IMO the ideal would be a much bigger instrument, the size of a bass spanish guitar or a martin jumbo, so guitar body depth would ideally be greater, as well as other proportions.... but i know the sound would suffer as a result, so it's a case of working out how to sit and play with minimal bodily distortion, and minimal unnecessary tension
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