Florian -> RE: *Beginner's Solea Challenge Submissions* (Apr. 21 2009 8:11:39)
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I didnt compare you guys against eachother so please dont try to find fairnes in comparing the feedback i wrote to each one of you..when i listened to you i concentrated on you and forghot what i heard just before. I tried to just focus on how it made me feel and how you played acording to your own level...so if i gave you a 6 for compas its a 6 for compas acording to your playing not in comparasent to another entry.. Ofcourse i tried to keep a general prespective too to find a fair winner for the purpose of this challenge but mostly i judged you acording to you and not others who might or might not be in your level.. Well done all Tally Technique 8 Rhythm 8 Aire 9 Total 25 I love the dynamics and confidence you played with..also loved the speed, sure the compas was draged a litlle in some small spots but overal i really enjoyed it , i think you know what you need to do and you are and its just a matter of doing it more..I think your strength is dynamics.. Flynn Technique 8 Rhythm 9 Aire 9 Total 26 I prefered your version to original, even with the poor audio recording the compas felled more nicely rounded to me. The one thing that stood out to me is that you left your guard down a litlle on an eazy part at 01:06..that chord should have been strogher and shorter..the uncertain and unconfident strum on it took you out of phrase a litlle.. i think once you comit to a swing you are comited ..you cant pull back in places or be unconfident even for a second or it will stand out.. the better you play everything else the more something litlle stands out.. Barney Technique 6 Rhythm 6 Aire 6 Total 18 Well done, obviously there are different levels of beginners but i am sure you have improved as a result of this.. I cant tell if its your audio setup or your technique that is making your sound so low but you could afford to bash the strings a litlle louder.. Also you tend to strech the compas to suit your abilities ..thats fine to do but then do the whole piece slower ( find the speed you can do the hardest part at and do the whole piece at that speed confidently and evenly)...dont start it fast and than change tempo around areas that are more difficult because they are obvious to the ears.. this is some general recomandations for the future, i realise atm you just trying to get trough the notes playing loud and sure of yourself projects a certain slef confidence that makes people wanna listen.. if one cant convince himself about a piece of music its going to be almost impossible to convince others listening. Mugsy Technique 9 Rhythm 9 Aire 10 Total 28 MugsY you ba*tARD ....... lol i dont really thing you are a ba*tard, is just the name goes well with ba*tard if you said it with an aussie accent ..almost feels natural..(try it to yourself [:)]) You were greate..expecially the point i made above about playing with confidence and conviction, greate sound..almost makes me wonder if you should be in this group .. I had to listen to the original to compare you to him..its hard because i dont like the way his flows dosent have a natural organic swing to me..so i cant say anything about your swing to you..but i was going to mention the swing and than i listened to the original again..personally i think you can and should do it better.. Yeah yeah i know...how can i do it better then HIM[8|]....well I think you can, no disrespect whatsoever intended to the original guitarist ...who is it btw ? probably because i dont know who it is its eazyer to be outspoken lol but his swing feels uneazy and "unliquid" ( just made that way of describing up [:D])...its probably more of a style thing than a abilities thing, i dont know..but i cant swing to it at all..i cant imagine seeing a dancer dance to it..its not perfectly even your strumming that starts at 00:24 stands out a litlle uneven acording to the standards you have allready established in the piece, its a combination of you not digging in enough and the triplets not beeing perfectly rounded or maybe just not even in volume..but this is really really picky, however for your level i think you can handle it.. well done Chesney Technique 6 Rhythm 7 Aire 7 Total 20 Even thow you were moving the compas around to suit your abilitites, i got a nice swing from your playing once you got past the areas that are giving you problems and took you out of compas, there were some places where i enjoyed your swing the most, you have a good natural swing you will be great for acompaning dancers.. You are doing great, practice your technique to get the notes clean and not need to slow down the compas around difficult areas or do it slower until you do.. So if you combine this nice natural swing with clean technique and dynamics in your playing..watch out world..[;)] This was very very tough because i dont know if you were making your own mistakes or copying his.. Yeah i said it..i hate his swing ..so sue me [8|] if i cant sitt here and pretend to dance to it its no good to me..i uploaded a litlle audio just a short example of the kind of beat any solea falseta should go over..i always imagine the swing and pulse of the solea as the palmas just before the llamada at 00:08..play whatever notes or however many u want as long as it falls well around that swing and projects that swing.. any solea falseta should work well with that kind of beat, even if its a different speed..theres no inbetweens..to me..if it dosent it dosent feel perfectly "liquid" ( so proud of my descriptions [:D]) Imo
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