RE: fandangos coplas and compas (Full Version)

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henrym3483 -> RE: fandangos coplas and compas (Mar. 15 2009 7:50:36)

thanks for all the replies it is helping, [:D]


anders, that video is brilliant, is the intro falseta off the habichuela encuentro video?

im gonna try and upload one of the intros and compas for fandangos soon.




val -> [Deleted] (Mar. 15 2009 9:21:06)

Post has been moved to the Recycle Bin at Nov. 8 2010 13:29:38




Anders Eliasson -> RE: fandangos coplas and compas (Mar. 15 2009 10:00:47)

Henry, The falseta por Huelva is more or less PDL. (en directo, teatro real)

Val, I couldnt open the Chicuelo thing, so I dunno.

Yeah, a lot of people from outside Huelva dont hear the difference between the varieties. The Alosno is more square in the compás part with less triplets.

Besides Huelva and Alosno there´s the whole bunch of Fandangos de la Sierra or del Andevalo (Calañas, Almonaster, Cabezas rubias, etc etc) each with its different harmonic variation and a slightly different soniquete in the copla. (Its hard work to live in Huelva[8D])




val -> [Deleted] (Mar. 15 2009 11:28:15)

Post has been moved to the Recycle Bin at Nov. 8 2010 13:29:27




Anders Eliasson -> RE: fandangos coplas and compas (Mar. 15 2009 12:20:59)

Val

I would say that its 3/4 and thats it. The clip you uploaded is with a falseta and can be many things. You could even go into a slow bulerias after this. I dont think its very much anything but if there where some compás playing, maybe I would look at it differently. If you want to use more modern stuff, use something like Archangel. He knows his Huelva.

Here in huelva they say, and they are quite right in this, that flamencos from outside Huelva dont know how to do FdH. They say it doesn´t sound right. Another thing is that many Huelva singers have the problem that everything sounds like FdH because thats what they learned to sing first.




Ricardo -> RE: fandangos coplas and compas (Mar. 16 2009 19:47:36)

posted this couple times already, but you hear some various styles sung in one single performance, (and excellent accompaniment too), by this guapa maestra.





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