Tom Blackshear -> RE: Soundboard thickness vs. bracings... (Feb. 22 2009 5:53:52)
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ORIGINAL: Ramón So I'm building from the Reyes plans (thank you, Tom), and now starting to get ideas and a little understanding of other designs, and want to 'experiment' a bit. I have an older Esteso that I have been studying, along with the Ramirez flamencos of the 60's. Soundboard thickess appears to be thicker when there is only 5 almost-vertical braces, and when a brace for the underside of the bridge is not used. I've never seen any plans with simpler bracing/no bridge support, so I'm curious, as my Esteso seems to be like 3mm thick! Great sound, though. Any feedback or thoughts, ideas, experiences, or knowledge here would be helpful. Thanks The best guitars are mostly thinner in their tops but thicker tops do carry more music in them based on my building experience. But the trick is to know how to get good musical response out of thinner tops since this gives the guitar better projection and voicing, if it is done right. The Reyes plan is about the best example I know of right now to get the modern response most musicians are seeking; not the Reyes itself but characteristically something that is close in its proximity to where you will get the proper articulation without having to do too much top graduation technique. Most of the older patterns have a lot of top thickness difference to worry about. Even the older Condes had certain or various top thickness graduations to make them right. Most really good flamenco guitars will be slightly thinner around the bridge area than on the edges. This technique comes from growing to understand the top flex before installing the bridge. Many Ramirez flamenco guitars seem to operate with even tops but some have the tops thinner in the middle for particular articulation and power. Same with the older Conde guitars that were braced toward the middle and that presented a stiffer top that needed a thinner center area.
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