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Advice re arranging a piece please!!
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Ailsa
Posts: 2277
Joined: Apr. 17 2007
From: South East England
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Advice re arranging a piece please!!
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Hi guys, So I'm working on some Solea - got quite a lot of falsetas, simple but beautiful (if I can play them!) and I want to put them together to play something at the next London Pena Juerga. I tried out various arrangements of the order of the different bits last night and I'm worried about it making 'musical sense'. I picked up a comment from one of Ricardo's youtube vids where he says that is the correct way to make up a piece - from separate disjointed sections. I know that's true, but I'm still thinking even then shouldn't the piece have some sort of structure, so that it makes 'music', not just one bit after another. I'm wondering if it's those sort of judgements of taste that might make one player more musical than another (rather than just technically better.) First I tried separating out all the arpegio bits and putting just one in between other techniques - sort of varying techniques, and therefore sound. But that just sounded terribly bitty. So then I put two or three compas of arpegio near the beginning making a sort of section, and then another section of different arpegio bits near the end. And I tried to make the overall piece vary in dynamics - you know, pretty sections split up by strong percussive sections. That felt better to me, but I'm not really sure. OK so please help! Am I doing the right sort of thing? Am I worrying too much about structure, and am too rooted in classical theories of structure? Shall I just play it differently every time? (That's probably the right answer!) Anyway I'd really appreciate hearing how you guys put things together. Thanks all. A xx
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REPORT THIS POST AS INAPPROPRIATE |
Date Sep. 24 2008 0:16:46
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NormanKliman
Posts: 1143
Joined: Sep. 1 2007
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RE: Advice re arranging a piece please!! (in reply to Ailsa)
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Hi Ailsa, quote:
I know that's true, but I'm still thinking even then shouldn't the piece have some sort of structure, so that it makes 'music', not just one bit after another. Of course! Varying techniques or positions on the neck are two ways of keeping things interesting. I like to think in terms of intensity, for example when you're speaking and you want to be aware of breathing and using the tone of your voice to greater effect. On the guitar, "intensity" could be created by lots of things. In harmony, it's called tension, for example. When people don't like virtuoso playing, it's usually because they feel overwhelmed, as if the guitarist isn't giving them time to assimilate. So, depending on what you want to convey, there should be some room to breathe in there, as well. One of the best things I ever heard about the guitar was said to me by someone who knew nothing about music (except how to appreciate it, ). She had been telling me how much she liked Paco de Lucía, and when I started playing some of his music she said, "See, his music tells a story!" But it's not a good idea to spend too much time worrying about how other people are going to react to your music. As Ron said, just do what you like best! Good luck and I hope we get to hear something from you.
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Date Sep. 24 2008 4:10:28
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