Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
|
|
Advice needed for n00b guitarrista
|
You are logged in as Guest
|
Users viewing this topic: none
|
|
Login | |
|
Tim
Posts: 20
Joined: Jun. 12 2007
From: Los Angeles, CA
|
Advice needed for n00b guitarrista
|
|
|
Hi All, Just wanted to say, great forum here. Right now I'm very new to flamenco. I've been playing for about five months now, using the Gerhard Graf-Martinez books and DVD's and a Yamaha CG171SF Flamenco guitar. Pretty good guitar for such a low price. My strings are D'Addario EJ46 hard tension -- they were kinda hard to play at first, but now I've really warmed up to them. I came from a rock/blues guitar background, and learning to play Flamenco is like starting all over again. I've been a fan of flamenco for many years, and I've visited Andalusia a couple of times -- though this forum has been really invaluable and gave me the impetus to finally get going. At this point, I'm midway through the second book. I've learned pretty much all of the techniques given in the series, although I'm still refining and polishing my tremolo and picado -- those techniques are real bastards to learn! Questions: 1) Right now I'm playing with a "three finger" p + i-a-m-i technique. No matter how smooth I try to even it out, it never sounds quite even enough. When I'm watching all of the "monster" guitarists play (Paco, Grisha, Tomatito, etc) I can't help but notice they use a "four finger" (including pinky) tremolo that sounds much better. Could someone point me the way to a good exercise or complete song that utilizes a four finger tremolo? 2) Picado. Ugh. Just now really starting to work hard on relearning scales using picado fingering, just m-i and i-m for now. Graf-Martinez has a series of basic Dorico scales used for exercises that I'm practicing with. In your opinion, do you think that is sufficient or should I practice as many modes as possible with picado? Por ejemplo, I'm used to practicing other scales - lydian, phrygian, ionian, etc. Should I just leave those on the shelf for now and stick with the GM dorian stuff until I get the hang of picado or should I go all out and spend an extra hour or two on all the scales and add an extra plateful of suffering to my picado experience? I'm sure a few of you have been where I've been before, so your insight is really appreciated. -T
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Dec. 30 2007 18:56:06
|
|
rombsix
Posts: 7813
Joined: Jan. 11 2006
From: Beirut, Lebanon
|
RE: Advice needed for n00b guitarrista (in reply to Tim)
|
|
|
Hey Tim! Whazzaaaaaaaaaaaaap?! (Sorry, just remembered that Scary Movie thing, LOL!) 1- I think you've got it wrong with regards to the four-finger tremolo. The way I see it, you're getting fooled by the natural movement of the pinky with the ring finger, which may look like a four-finger tremolo, but actually is not. You see, there's an interdigitation between the ring and pinky fingers' tendons that forces the pinky to move (anatomically, that is) when the ring does. Trying to uncouple this would be a way of disturbing the natural way of movement, and only leads to strain and injury. The point of this is that you can (with lots of practice) learn to play an i-a-m-i three-finger tremolo that sounds very smooth, with time. There are other tremolos (like the one Manolo Sanlucar does in Oracion) that sound cool to, and you might find that practicing these will make the i-a-m-i easier to perform. The most important thing is to try and make the notes as evenly spaced as possible, and the only way to achieve that is via a metronome. 2- There's nothing wrong with playing as many different scales and modes as you can when practicing picado. I find that with picado, the rule is to vary things as much as possible with left and right hand so that you can build an all-round strength that will allow your picados to become much better-sounding and faster (yet well-controlled, and that is the secret). You can practice picado as i-m, m-i, i-a, a-i, a-m, m-a, and a-m-i. Doing that will get you the versatility and overall dexterity in your right hand. And when you have a picado run in a piece that you find difficult, I suggest you practice that run a lot (and use it to practice your picado technique): it seems logical that if you want to learn a picado run that you practice picado using that particular run, rather than practice modes and scales then try to apply your learned technique to the run. You also have to analyze the run to know exactly how the left hand fingering should go, and which finger to start with using your right hand etc. These things you will figure out with time. Those are my 2 cents. I'm not the expert, and surely you will get MUCH BETTER pieces of advices off of people like Ricardo et al. on this forum (no disrespect to anyone because I didn't mention all the names), but I was in a typing mood - so there ya go dude!
_____________________________
Ramzi http://www.youtube.com/rombsix
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Dec. 30 2007 20:50:13
|
|
New Messages |
No New Messages |
Hot Topic w/ New Messages |
Hot Topic w/o New Messages |
Locked w/ New Messages |
Locked w/o New Messages |
|
Post New Thread
Reply to Message
Post New Poll
Submit Vote
Delete My Own Post
Delete My Own Thread
Rate Posts
|
|
|
Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET |
0.046875 secs.
|