Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
|
|
Chord Voicing - What he Doing?
|
You are logged in as Guest
|
Users viewing this topic: none
|
|
Login | |
|
Ricardo
Posts: 14802
Joined: Dec. 14 2004
From: Washington DC
|
RE: Chord Voicing - What he Doing? (in reply to JasonM)
|
|
|
It is the typical jazz guitar mentality, rediscovered by a flamenco guy, that if you have a bass instrument (or keyboard) already playing the fundamental, you can play the tensions 7ths, 9ths, 13th chords etc., in very simple Triadic forms, to sort of stay out of the way, or complete the mode. So he is thinking of a C chord there (Cmaj13, or Cmaj7add6), but playing the extensions above the fundamental. He is thinking about the emotional aspects, as just before that he describes how changing the 5th degree of a chord up or down, you create “terrible” sad emotions and such. . In simple jazz terms, tensions and extensions, nothing big deal.
_____________________________
CD's and transcriptions available here: www.ricardomarlow.com
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Sep. 28 2022 11:51:01
|
|
New Messages |
No New Messages |
Hot Topic w/ New Messages |
Hot Topic w/o New Messages |
Locked w/ New Messages |
Locked w/o New Messages |
|
Post New Thread
Reply to Message
Post New Poll
Submit Vote
Delete My Own Post
Delete My Own Thread
Rate Posts
|
|
|
Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET |
0.046875 secs.
|