Foro Flamenco


Posts Since Last Visit | Advanced Search | Home | Register | Login

Today's Posts | Inbox | Profile | Our Rules | Contact Admin | Log Out



Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.

This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.

We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.





Paco's stolen guitar   You are logged in as Guest
Users viewing this topic: none
  Printable Version
All Forums >>Discussions >>General >> Page: [1]
Login
Message<< Newer Topic  Older Topic >>
 
FredGuitarraOle

Posts: 898
Joined: Dec. 6 2012
From: Lisboa, Portugal

Paco's stolen guitar 

There's a comment on this video saying this particular guitar was stolen from Paco in Barcelona. Never heard of this story, anyone knows anything about it?

  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 8 2019 22:30:24
 
Ricardo

Posts: 14803
Joined: Dec. 14 2004
From: Washington DC

RE: Paco's stolen guitar (in reply to FredGuitarraOle

quote:

ORIGINAL: FredGuitarraOle

There's a comment on this video saying this particular guitar was stolen from Paco in Barcelona. Never heard of this story, anyone knows anything about it?





In guitar player magazine March 1981, with guitar trio on the cover, each player was asked about their guitar. Paco admitted the guitar he used was only 5 or 6 years old (1974 or 5), but it was not his best guitar. His best was stolen from the car last year (1979 or 80). He did not specify which city this happened. Maybe this person who knows it was in Barcelona is the thief? 😮😃. I believe this guitar was a 1968, but not certain. Need close photo. I know the blanca he used most was a 1968. Here are both guitars, Ramon using the blanca:



And here is the replacement guitar he used after his tour w Mclaughlin and Coryell (when the above guitar was stolen):


He only used this one for two years (Castro Marin solo quiero caminar and San Francisco recordings) and then replaced it with what became his famous Conde discussed most often due to its make overs from 1982 till his death.

_____________________________

CD's and transcriptions available here:
www.ricardomarlow.com
  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 9 2019 11:36:53
 
FredGuitarraOle

Posts: 898
Joined: Dec. 6 2012
From: Lisboa, Portugal

RE: Paco's stolen guitar (in reply to Ricardo

Thanks Ricardo!
  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 9 2019 13:52:43
 
FredGuitarraOle

Posts: 898
Joined: Dec. 6 2012
From: Lisboa, Portugal

RE: Paco's stolen guitar (in reply to FredGuitarraOle

Just noticed this by accident, it looks like 12 years later it shows up again. Doesn't this look like the stolen guitar? Could he ever had gotten it back?

  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 9 2019 14:43:03
 
jalalkun

Posts: 276
Joined: May 3 2017
From: Iraq, living in Cologne, Germany

RE: Paco's stolen guitar (in reply to FredGuitarraOle

Also here. this really is paco's best sounding guitar. it might be the same guitar that he uses with manolo sanlucar! though it sometimes seems to me that on the old recordings the tieblock inlay is plain bone without any decoration.



_____________________________

My name is Jalal.
  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2019 11:42:45
 
Ricardo

Posts: 14803
Joined: Dec. 14 2004
From: Washington DC

RE: Paco's stolen guitar (in reply to FredGuitarraOle

quote:

ORIGINAL: FredGuitarraOle

Just noticed this by accident, it looks like 12 years later it shows up again. Doesn't this look like the stolen guitar? Could he ever had gotten it back?




No... this guitar is a little older and used on Paco’s first album fabulosa. It has a unique tie block and though the rosette looks similar it is actually inverted compared to the other guitar (red outside here, green outside on his favorite).



Also note the extremely dark wood on the neck and head, and the tall 19th fret... both in comparison to his “favorite”.
Here again same guitar at 30:22.


At the time Paco started to retire the above guitar for his favorite, he made Ramon use it a lot. Here are both guitars:



Pretty sure older guitar is Indian rosewood and his favorite was Brazilian or some other exotic rosewood.

_____________________________

CD's and transcriptions available here:
www.ricardomarlow.com
  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2019 16:55:36
 
Echi

 

Posts: 1132
Joined: Jan. 11 2013
 

RE: Paco's stolen guitar (in reply to FredGuitarraOle

I presume the main difference is the pulsacion (aka bouncyness/stiffness of the top) as the guitars sound quite similar after all. At least judging from YouTube...).
My impression is that the Condes of the sixties (those which I have examined) are quite different from those of the late seventies and beginning of the eighties but I have not infos enough to let me make a general statement..
  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2019 17:16:22
 
Ricardo

Posts: 14803
Joined: Dec. 14 2004
From: Washington DC

RE: Paco's stolen guitar (in reply to Echi

quote:

ORIGINAL: Echi

I presume the main difference is the pulsacion (aka bouncyness/stiffness of the top) as the guitars sound quite similar after all. At least judging from YouTube...).
My impression is that the Condes of the sixties (those which I have examined) are quite different from those of the late seventies and beginning of the eighties but I have not infos enough to let me make a general statement..


Well two main things:
The older guitar was deeper woody basses and metallic trebles. He also tend to tune it sharp of A 440 (possibly too low tension?) You can hear it well only when tuning with Sanlucar then the audio changes ... possible a different guitar in the recording studio. Also malaguena is fair true audio. Most other examples are playback. He used this also on the two festival flamenco gitano discs ... it’s a very recognizable sound. The favorite of his has a more solid mid range, not as deep sound imo.

_____________________________

CD's and transcriptions available here:
www.ricardomarlow.com
  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2019 17:21:20
Page:   [1]
All Forums >>Discussions >>General >> Page: [1]
Jump to:

New Messages No New Messages
Hot Topic w/ New Messages Hot Topic w/o New Messages
Locked w/ New Messages Locked w/o New Messages
 Post New Thread
 Reply to Message
 Post New Poll
 Submit Vote
 Delete My Own Post
 Delete My Own Thread
 Rate Posts


Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET

0.046875 secs.