Foro Flamenco


Posts Since Last Visit | Advanced Search | Home | Register | Login

Today's Posts | Inbox | Profile | Our Rules | Contact Admin | Log Out



Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.

This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.

We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.





Rosas del Amor   You are logged in as Guest
Users viewing this topic: none
  Printable Version
All Forums >>Discussions >>General >> Page: [1]
Login
Message<< Newer Topic  Older Topic >>
 
Harry

Posts: 390
Joined: Jun. 24 2010
From: Montreal, Canada

Rosas del Amor 

Is it safe to assume that Tomatito recorded Rosas del Amor with a Conde Hermanos blanca (perhaps the one pictured on the original album cover)? I know he started using a negra in the early 90s (encuentro, Camaron at Montreux 91). I guess I am just curious because that album has some of the best guitar tones I have heard.

_____________________________

"I'm just a poor crazy man in love with his art." Santos Hernandez
  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 20 2018 0:42:48
 
Ricardo

Posts: 14806
Joined: Dec. 14 2004
From: Washington DC

RE: Rosas del Amor (in reply to Harry

quote:

ORIGINAL: Harry

Is it safe to assume that Tomatito recorded Rosas del Amor with a Conde Hermanos blanca (perhaps the one pictured on the original album cover)? I know he started using a negra in the early 90s (encuentro, Camaron at Montreux 91). I guess I am just curious because that album has some of the best guitar tones I have heard.


I could not place that nasally sound he got on that album based on any guitars I saw him use on video, until I saw him using this Ramirez classical with a tap plate! . Pretty sure by the tone it’s this guitar he used....even for the overdubbed re mix parts.



And to compare:


_____________________________

CD's and transcriptions available here:
www.ricardomarlow.com
  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 20 2018 10:52:04
 
Harry

Posts: 390
Joined: Jun. 24 2010
From: Montreal, Canada

RE: Rosas del Amor (in reply to Harry

Wow that does sound awfully close..but then I suspect a different sound for Soledad; sounds more crunchy. The guitar in the Bienal clip reminds me of the sound on Barrio Santiago though nasal and also hollow.

_____________________________

"I'm just a poor crazy man in love with his art." Santos Hernandez
  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 20 2018 15:49:25
 
Ricardo

Posts: 14806
Joined: Dec. 14 2004
From: Washington DC

RE: Rosas del Amor (in reply to Harry

quote:

ORIGINAL: Harry

Wow that does sound awfully close..but then I suspect a different sound for Soledad; sounds more crunchy. The guitar in the Bienal clip reminds me of the sound on Barrio Santiago though nasal and also hollow.

I think the entire album is same guitar. Here is Soledad on a conde negra:


_____________________________

CD's and transcriptions available here:
www.ricardomarlow.com
  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 21 2018 17:10:15
 
Harry

Posts: 390
Joined: Jun. 24 2010
From: Montreal, Canada

RE: Rosas del Amor (in reply to Ricardo

Tomate's Conde negra period is my favourite. I always assumed he used that negra on Rosas del Amor but then I have never seen him use it before 91. That guitar suits him.

_____________________________

"I'm just a poor crazy man in love with his art." Santos Hernandez
  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 22 2018 2:02:55
 
Ricardo

Posts: 14806
Joined: Dec. 14 2004
From: Washington DC

RE: Rosas del Amor (in reply to Harry

quote:

ORIGINAL: Harry

Tomate's Conde negra period is my favourite. I always assumed he used that negra on Rosas del Amor but then I have never seen him use it before 91. That guitar suits him.

I wouldn’t say it’s a special period... different concerts w Camaron show him with various guitars from 1991. The negra was used in montreux 1991. After that I only see him use two negras, both similar look and sound only different rosettes. The one used in montreux same as encuentro here:



And this one, not sure which was used for that solea posted earlier:



_____________________________

CD's and transcriptions available here:
www.ricardomarlow.com
  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 24 2018 6:18:00
 
sartorius

Posts: 206
Joined: Mar. 7 2017
 

RE: Rosas del Amor (in reply to Harry

Interesting thread...

I'd never thought of Tomatito playing a classical Ramirez with a tap plate. Until now I had always assumed the only one was Manolo Sanlúcar. Then this guitar from another 'Manolo" came up for sale a few weeks ago:

https://www.flamencoguitarsforsale.net/product/guitarra-jose-ramirez-1971-de-manolo-franco/

Who else played Ramirez classicals turned into flamenco?
  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 24 2018 18:04:13
 
Ricardo

Posts: 14806
Joined: Dec. 14 2004
From: Washington DC

RE: Rosas del Amor (in reply to sartorius

quote:

Who else played Ramirez classicals turned into flamenco?


Serranito and Juan Serrano

_____________________________

CD's and transcriptions available here:
www.ricardomarlow.com
  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 24 2018 22:39:27
Page:   [1]
All Forums >>Discussions >>General >> Page: [1]
Jump to:

New Messages No New Messages
Hot Topic w/ New Messages Hot Topic w/o New Messages
Locked w/ New Messages Locked w/o New Messages
 Post New Thread
 Reply to Message
 Post New Poll
 Submit Vote
 Delete My Own Post
 Delete My Own Thread
 Rate Posts


Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET

0.0625 secs.