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Do back and sides tonewoods make a difference on laminates?   You are logged in as Guest
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mark74

Posts: 690
Joined: Jan. 26 2011
 

Do back and sides tonewoods make a d... 

Any opinions? My understanding is that on laminates the back and sides only have a paper thin coating of the tonewood and are mostly plywood. Do they make any difference at all?
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 28 2017 21:48:41
 
jshelton5040

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RE: Do back and sides tonewoods make... (in reply to mark74

Not much.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 28 2017 22:48:43
 
bluespiderweb

Posts: 18
Joined: Mar. 24 2017
 

RE: Do back and sides tonewoods make... (in reply to mark74

Yes, I think they do Mark, especially to the player's ear, but far less to the audience's ear. That is to say, if your hearing is good, anyway. Same with different woods in solid wood instruments, and being able to tell that they make a difference in tone to the player's ear. At least, that's what my ears tell me, and I am more focused on tone than I am on learning a tune. In other words, I'm a tone junkie, and probably why I love so many different instruments. Playing them is such a trip, and hearing the various tones is a big part of why I play any one. It's also about making music yourself of course-whether it's trying to learn a tune, or improvising.

I think there is much more influence to tone production in other details, like construction methods-top woods, bracing, etc, including neck wood material, thick or thin (and types) finishes, than just types of woods used (laminated or not) on the back and sides. Which then is just a minor detail of the tone color, compared to other tonal factors like resonance, balance, dynamics etc.

So, when I pick out a guitar at a store, I sometimes go by what woods I think I will like first, and then just let me ears to the hard work. Often I am surprised that I come home with something different than I was thinking I would like, because I found something that my ears just said-take this one home, or you're a big dope!!! I've been happiest it seems when I've listened to them too!

What really surprises me is how well they are building lower end guitars today, as far as tone per dollar goes, and laminated woods (for back and sides) can make fine sounding instruments, with a decent solid top, that is.

Edit: I was thinking that this tonal difference with laminated or solid wood back and sides might just be more pronounced (and easier to hear) in steel string guitars. That is what I've played most of my life, and what I'm more familiar with, than nylon stringed guitars, in general. Not sure, just kind of makes sense though.

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Barry
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 29 2017 8:35:10
 
Sr. Martins

Posts: 3077
Joined: Apr. 4 2011
 

RE: Do back and sides tonewoods make... (in reply to mark74

Madera contrachapada is where the thin slices of wood are there too support gobs of glue, right?

With that in mind, I doubt there will be much difference. You'll hear mostly the hardened glue.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 29 2017 14:39:39
 
etta

 

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Joined: Jan. 20 2010
 

RE: Do back and sides tonewoods make... (in reply to mark74

Several years ago I bought a lower priced guitar with"laminated" back and sides from Pedro Maldonado Jr. at his shop in Torremolinos. I tried several high end guitars in his shop and in other shops, but found the cheap laminated one to have about as much tone and punch as any of them, and the action has remained stable and easy playing; taking it camping this weekend. And, as many of you know, Pedro Jr. is a super guy and easy to deal with.
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 29 2017 16:32:22
 
RobJe

 

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Joined: Dec. 16 2006
From: UK

RE: Do back and sides tonewoods make... (in reply to mark74

I can’t really answer the question, but for any guitar – and particularly a cheaper guitar, my priority would not be how it sounds but how it feels. It depends of course on whether you want to look at it or play flamenco.

In the 1960s the old Conde brothers had a little factory in Pozuelo de Alarcón where they made a lot of cheap guitars using solid but lower grade wood. I saw many with bent necks, splits and varnish that flaked off. But the majority of these guitars scored highly for the qualities that players wanted in those days. Occasionally I come across a survivor and am reminded of these guitars that I admired so much.

In modern times people want durable shiny finishes with beautiful woodgrain, no cracks and no warping. Well, with laminated wood, ostentatious neck re-enforcement and even a truss rod you can find reasonably priced guitars that appear to be much better behaved than those in the cheaper end of the 60’s market. And of course they are better in every respect – except the most important one.

Of course practices won’t revert back to those in the 60s, but when we consider buying an impeccably grained laminated guitar, we should give some thought the priorities that have driven its construction. I have seen quite a few reasonably priced “oldies” recently. Shiny new guitars, like shiny new cars, are worth a lot less as soon as you get them home. We should learn to embrace the scratched, the bent, the cracked and of course the solid before real guitars disappear altogether.

Rob
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 29 2017 20:58:56
 
bluespiderweb

Posts: 18
Joined: Mar. 24 2017
 

RE: Do back and sides tonewoods make... (in reply to Sr. Martins

I looked up your term Madera contrachapada, and it seems to mean just plywood. Instrument woods, even laminated back and sides use real instrument woods for the outer skins, and if anything, the inside surface of the back and sides that the strings and soundboard (top) send sound waves to, at least have some bearing as to being reflective or absorbing, in different amounts by the characteristics of porosity and density of the various woods used, I would imagine.

So I believe you are not hearing tone based on just what is inside the laminations, but what at least reflects sound on the inside of the guitar. I do find it difficult to believe that the outside of the laminated woods would do much for tone, however. Though flexibility of the whole lamination might have some small effect on tone, but probably not a lot. I think more that the top has so much more to contribute to the tone, in combination with the inside laminated woods that a builder uses. In other words, a Rosewood laminated back and sides that have Rosewood for the inside and outside layer being the same wood, will sound differently from say for instance, a Mahogany laminated guitar, with the same top and model guitar.

Of course, if you are looking at models that are very cheap, with a laminated top as well, then all bets are off, and any kind of wood may be used, as a laminate that is just cheap and easy to produce (just say laminated Linden wood, and Catalpa neck for example). I would not go there, at all, if you are shopping for a guitar. At least you should get a solid top model to get past the worst of them, and maybe the more recommended or popular ones, and at times a recognized manufacture like Yamaha or other more well known one will be a better choice if you cannot spend a lot of money. But sure, buy what you can afford and what speaks to you, if you are shopping with your ears and trying individual guitars by playing them yourself. That helps so much, instead of internet buying. That works some of the time, but certainly not all the time.

Then there is the fact that no two guitars sound exactly alike, even in standardized mass production guitars, let alone handcrafted instruments. I recently bought a Yamaha CG162S and was able to play another of the same model at a George's Music here in the US, and the one I took home blew away the other same model guitar.

So, no doubt, many factors contribute to the tone, and the back and sides woods, either laminated or solid woods, makes some difference, but certainly not all. Even what strings you use alters the tone, or comparing the same model with fresh strings or old strings can be very critical to the tone you hear when comparing guitars in the stores, or makers shop even. I know that here in the US, some music stores are not keeping their inventories properly maintained very often, including adequate humidity levels and changing strings when they start sounding dead. So all of this has a direct effect on tone, and your impressions when you pick one up to play and compare with others at the same shop, or even a different shop with the same guitar. At least I have found this on my most recent trials looking for the right guitars.

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Barry
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 29 2017 21:50:36
 
bluespiderweb

Posts: 18
Joined: Mar. 24 2017
 

RE: Do back and sides tonewoods make... (in reply to RobJe

Rob, some of these impeccably grained, shiny finished less expensive laminated (with solid top) guitars today are pretty damned good compared to older solid wood low end guitars made in the 60's and such. Sure, you can find some deals there too-but as you said too-often with warps, cracks, etc, the often have show what shortcuts they took to make them in years gone by, though there are some well made ones out there too-no doubt.

I do think general knowledge in guitar construction has come a long way from then, and continues to produce superior products that sound great and probably hold up better in the long term as well. Of course, that will be borne out in years to come whether that is true or not for various models, but I think for one's lifetime (if you aren't too young!), they will continue to serve us well with the solid top, laminated back and sides mainstream market that exists today, if we care for them properly, too.

So what I mean is that I think we are lucky to have so many reasonably priced guitars out there to choose from, and they sound very good, and will probably hold up over time too.

If you are so lucky as to be able to purchase from the higher end instruments and makers, then no doubt you will get a better guitar, especially with private luthiers, who often make guitars from their souls, and not their profit margins-and will hold resale value at higher rates often too. But in this hard economy, many of us need to keep costs down, and purchase our budget range guitars. Which, again I say we are very lucky to have these lower priced options that still make us happy to play and learn. Choosing the back and side woods may be helpful, but I just go by my ears that tell me if a guitar is going home with me-not my preference for the various woods, or whether they are laminated or solid.

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Barry
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 29 2017 23:19:56
 
RobJe

 

Posts: 731
Joined: Dec. 16 2006
From: UK

RE: Do back and sides tonewoods make... (in reply to bluespiderweb

quote:

I just go by my ears


Well the proof of the pudding is in the eating of course but I go by my fingers first.

Over 50 years of playing I have gone through many guitars and tried many more.

Of course guitars are different and we struggle to find the right language to describe their qualities. The guitars popular with many professionals meet the needs of amplified stage use but are not much fun in your bedroom at home. I was persuaded to play a modern Conde on stage for a few months - it did work but I was never in love with it. It is rumoured that Paco didn't play his famous Conde when he was at home.

So why fingers first? Well the elusive attribute known in Spain as pulsación is what determines whether you will be able to make progress in your flamenco playing. It is much more than stiff or loose and better thought of in terms of the feedback you get when you play. The more your technique develops the more important it becomes.

So pity the poor luthier. It seems that they need to satisfy demands for guitars that are well behaved in front of a mic (quality of sound and volume not so important), people who play gently in their bedrooms and are happy if they can make something that sounds like flamenco - and all shades in between - while getting the pulsación that the guitarist wants.

Well, to preserve their mental health, most luthiers who specialise in flamenco guitars have settled for one kind of guitar and spend their lives trying to perfect it.

Well, I have finally worked out how I want a guitar to be for me but sadly I am too old for it to be of much use. I can say however that being a luthier made flamenco guitar does not guarantee that it's any good for me. I have always found it better to buy guitars from those who specialise.

So in relation to the qualities that matter I suspect that a thin layer of rosewood veneer on the back of a guitar only serves a cosmetic purpose.

Rob
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 30 2017 20:52:39
 
bluespiderweb

Posts: 18
Joined: Mar. 24 2017
 

RE: Do back and sides tonewoods make... (in reply to RobJe

Yes, Rob, I agree wholeheartedly-a thin layer of Rosewood (or any wood) on the back of a laminated guitar makes little to no difference except for eye appeal. But don't discount eye-appeal either! I like to see nice wood in my guitars-it is a pleasure and incentive to pick it up and play. However, as you say, proof is in the pudding-how it plays and appeals to how we play and what we want to hear, and the results we expect for how we play. I do however think that a thin layer of laminated wood has an effect on the tone on the inside of a guitar.

Sure, each one of us has a different idea of what we want and need in a guitar-there is no universal match for all of us-and of course our demands are as varied as well. I too feel for the the private Luthiers who are trying to survive today and trying to please as many players as possible. I am not in that higher market any longer since I've retired. I look now for good sounding production instruments, and as well I should for my abilities and desires at this point in my life. Others will certainly differ in viewpoints.

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Barry
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 30 2017 23:50:58
 
estebanana

Posts: 9351
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RE: Do back and sides tonewoods make... (in reply to mark74

I have a plywood Aria, a Japanese guitar from 1984. Cedar top, cocobolo veneer outside, and some cruddy wood inside.

If I sent it to Ricardo and had him make a recording with it's doubtful any of you would be able to distinguish it from one of his Conde's.

Guitars sound like guitars. This is all precious talk until you walk blind folded into room with 20 flamenco guitars and someone good plays them and you score which have cedar tops, or spruce and which are plywood, blanca or negra.

And then look at your score. You'll be lucky to get half of them right.

Save your fingers from getting arthritic from writing all this chatter down and arrange a comprehensive blind test.

Not to be buzz kill or anything..

Rob is correct. If the guitar does to have the 'haptic qualities' for playing flamenco forget it. Guitar that have the right feel for flamenco almost always have a flamenco voice of one sort or another. It's rare to find a guitar that plays perfectly 'flamenco' that sounds unflamenco. There is a structural reasoning between how a guitar feels and how the voice is shaped.

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In some ways guitar making has gone backwards not forward. Now there is an emphasis on power for powers sake, it's really not a step forward, that is a peripheral trip. There are not many players who can over power a guitar to the point where they need something special that is built more duro than a normal guitar. The problem lies in guitar players who brutalize the guitar and think that is 'muscular' or 'macho' playing. That is more like squeezing a tube of toothpaste with both hands instead of finessing it at the end with skillful roll up.

Guitar making has lost a lot of poetry at the hands of uniformity, so called power and that 'new car smell' kind of seductiveness. Put it that way, but of course I digress because no one ever listens ....

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  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 31 2017 6:14:03
 
Ricardo

Posts: 14797
Joined: Dec. 14 2004
From: Washington DC

RE: Do back and sides tonewoods make... (in reply to estebanana

quote:

Put it that way, but of course I digress because no one ever listens ....


....Uh wait what? What'd you say about my CONDE???

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  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 31 2017 12:19:50
 
estebanana

Posts: 9351
Joined: Oct. 16 2009
 

RE: Do back and sides tonewoods make... (in reply to mark74

My everyday player is an Aria that sounds like a Conde. and it's built with ply laminate. My land lady gave it to me because someone left it in her house many years ago. I lowered the saddle, planed down the tie block and put new strings on it. And some plastic on the top. No one had ever played it. After a few months of bangin on it it began to sound quite nice.

On a dry afternoon can sound quite good. Probably a good mic guitar, not overtoney. I intentionally beat it up with sloppy playing in the beginning so one one will want to buy it. Now it looks like dog poo and I won't be able to sell it, which is good. Now I play it with accuracy,,,LOL

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  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 31 2017 15:46:15
 
RobJe

 

Posts: 731
Joined: Dec. 16 2006
From: UK

RE: Do back and sides tonewoods make... (in reply to Ricardo

quote:

Guitar that have the right feel for flamenco almost always have a flamenco voice of one sort or another. .......... I digress because no one ever listens ....


Yeah - we listen.

Manolo Franco played a Miguel Rodriguez guitar for many years after he won the Giraldillo del toque at the 1984 Bienal in Seville. Forget the old adage that you can't tell anything about a guitar by listening to a recording - this guitar had an unusual colour to the sound that I have never heard before or since. People told him but he was happy to stick with it. After many years the action got a bit too soft and he moved on to a sweet Reyes. I suppose he knew what he was doing.

On shininess ...

I need to downsize my collection of guitars. I was thinking about which ones I would definitely keep. Top is a guitar with a sweat mark (not mine) and other evidence of a hard life of playing.. Second is one where the back has been heavily affected by my own perspiration. Third is one which again has someone else's sweat and a flamenco cigarette burn. That just leaves the shiny ones - should be easy!

On luthiers ....

Talking about guitars we often end up making reference to well known luthiers - perhaps because we don't have adequate agreed terms for our discourse. It tends to obscure the fact that there are great guitars to be had elsewhere

My teacher had a Barbero. He was recently married with a small child. His wife was infuriated that he had given up his medical studies to play flamenco full time. As the money coming in dwindled, while he was spending more and more time shut in a bedroom practising his guitar, she finally snapped and threw his precious Barbero down the stairs. Someone bought the pieces. My teacher went to another flamenco player who had made about 30 guitars and had a new guitar made. It was fabulous. A happy ending? Well he got back with his wife and got a proper job.

Rob
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 31 2017 17:43:48
 
bluespiderweb

Posts: 18
Joined: Mar. 24 2017
 

RE: Do back and sides tonewoods make... (in reply to estebanana

quote:

Save your fingers from getting arthritic from writing all this chatter down and arrange a comprehensive blind test.


OK, I'll just shut up and go play my guitar instead.

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Barry
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 31 2017 19:34:21
 
Ricardo

Posts: 14797
Joined: Dec. 14 2004
From: Washington DC

RE: Do back and sides tonewoods make... (in reply to RobJe

quote:

A happy ending? Well he got back with his wife and got a proper job.


THAT'S a happy ending???? I thought you were gonna say she later fell down the stairs and....

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  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 31 2017 23:54:01
 
estebanana

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RE: Do back and sides tonewoods make... (in reply to mark74

A guitar being tossed to the stairs is always a happy ending for the repair person. I did one top replacement because the wife stepped into the top on purpose. It was a $700.00 happy ending.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 1 2017 6:56:23
 
RobJe

 

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Joined: Dec. 16 2006
From: UK

RE: Do back and sides tonewoods make... (in reply to Ricardo

quote:

THAT'S a happy ending????


It's called British gallows humour!
  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 1 2017 9:59:01
 
RobJe

 

Posts: 731
Joined: Dec. 16 2006
From: UK

RE: Do back and sides tonewoods make... (in reply to estebanana

quote:

A guitar being tossed to the stairs is always a happy ending for the repair person. I did one top replacement because the wife stepped into the top on purpose. It was a $700.00 happy ending.


Someone always has to pay for a crime of passion!

Crimes of stupidity are another matter. A Santos with a very thin top (no stings attached) and a Torres with a replaced top were sold at a London auction last week. It's not the first Santos I have come across suffering this. There seems to a disturbing trend that whenever a fine but flamenco battered guitar is resold it is sent to be stripped down and refinished. I am sure that the tops gradually reduce in thickness. OK good for luthiers by reducing the number of guitars around but sad.

Rob
  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 1 2017 10:25:05
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