RE: Following the leader

Costs are rising and times are tough.
Please consider a donation to keep this
place going.

Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.

This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.

We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.

You are logged in as Guest

Users viewing this topic: none

Printable Version

All Forums >>Discussions >>Off Topic >>

Page: << < 1 2 [3]

Message

<< Newer Topic Older Topic >>

guitarbuddha

Posts: 2970
Joined: Jan. 4 2007

RE: Following the leader (in reply to Sr. Martins)

Great !

So we are there, you have seen that you know what I am saying already and that there is nothing to it. It need not concern you further.

D.

REPORT THIS POST AS INAPPROPRIATE | Date Mar. 26 2015 13:40:41

Miguel de Maria

Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ

RE: Following the leader (in reply to guitarbuddha)

In reading through the recent posts, I don't really see a huge argument here. No one is disputing that either the big picture or the details can be dispensed with. There is a certain sound we will be going for, and these concepts are tools that help us get there ("Music is an ocean; music theory is a boat," Segovia is supposed to have said). We must know or have a sense of the chords we are playing over, and of course tempo matters here because at some speed, harmony becomes melody or texture (note that in my pieces, tempi are slow and more easily lend themselves to measure-by-measure playing). That being said, playing a succession of arpeggios that merely follows the chord chart is not the most evolved way to improvise. D's endorsement of function is of course important (you would play different over a G chord if it was going to tonic C than if it was coming from dominant D), but not contrary to the study of chords. Coming up with a line that recognizes the harmony in a novel and economic way is considered by many to be the summit of skill. All of us must study chords, scales, and songs.

_____________________________

Connect with me on Facebook, all the cool kids are doing it.
https://www.facebook.com/migueldemariaZ

Arizona Wedding Music Guitar

REPORT THIS POST AS INAPPROPRIATE | Date Mar. 26 2015 14:08:06