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RE: THE ESSENCE OF "DUENDE"
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BarkellWH
Posts: 3458
Joined: Jul. 12 2009
From: Washington, DC
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RE: She's got it (?) THE ESSENCE OF ... (in reply to gj Michelob)
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Many good definitions and descriptions of "Duende" have been put forward in this thread: heightened emotion, soul, spirit, a "co-miseration among folks." In my opinion, "Duende" can only be experienced in the context of flamenco, and, as Ricardo points out, it can be experienced alone or in a group. Someone might apply the above descriptive terms to a feeling experienced in other genres of music, but it would not be "Duende." That's why it is so hard to nail it down. Duende is something different in terms of heightened emotion or soul in flamenco, than the terms "heightened emotion" and "soul" suggest in other forms of music. Giacomo, to carry your last post a step further in terms of the lawyer you quoted, perhaps the term "Duende" should not be nailed down pat with a definition, as it might exclude a feeling that doesn't quite fit the words we use. To this end, I would like to quote Supreme Court Justice Potter Stewart on the definition of "obscenity." In 1964, United States Supreme Court Justice Potter Stewart tried to describe his threshold test for obscenity in Jacobellis v. Ohio. In explaining why the material at issue in the case was not obscene under the Roth test, and therefore was protected speech that could not be censored, Stewart wrote: "I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description [hard-core pornography], and perhaps I could never succeed in intelligibly doing so. But I know it when I see it, and the motion picture involved in this case is not that." We might paraphrase Justice Stewart's description of hard-core pornography ("I know it when I see it.") to apply to Duende: "I know it when I feel it." Bill
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And the end of the fight is a tombstone white, With the name of the late deceased, And the epitaph drear, "A fool lies here, Who tried to hustle the East." --Rudyard Kipling
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Date Jan. 18 2015 19:34:39
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gj Michelob
Posts: 1531
Joined: Nov. 7 2008
From: New York City/San Francisco
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RE: She's got it (?) THE ESSENCE OF ... (in reply to BarkellWH)
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quote:
Giacomo, to carry your last post a step further in terms of the lawyer you quoted, perhaps the term "Duende" should not be nailed down pat with a definition, as it might exclude a feeling that doesn't quite fit the words we use. To this end, I would like to quote Supreme Court Justice Potter Stewart on the definition of "obscenity." In 1964, United States Supreme Court Justice Potter Stewart tried to describe his threshold test for obscenity in Jacobellis v. Ohio. In explaining why the material at issue in the case was not obscene under the Roth test, and therefore was protected speech that could not be censored, Stewart wrote: "I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description [hard-core pornography], and perhaps I could never succeed in intelligibly doing so. But I know it when I see it, and the motion picture involved in this case is not that." We might paraphrase Justice Stewart's description of hard-core pornography ("I know it when I see it.") to apply to Duende: "I know it when I feel it." Bill Well, done, Bill. 'love it. I remember the famous case and the Justice' words, very eloquent and wise. On the issue of defining Duende, while I wholeheartedly concur with your quote of our learned Justice, I really liked Ricardo's point, which I had mentioned. Perhaps, it does not exhaust the definition of the elusive concept, but it certainly captures the most visceral energy of it, "Commiseration". That energy is neither self pity nor lament, neither passion nor pathos, but the solidarity amongst those suffering common "dolor". So, while the lawyer novelist felt the weight of centuries of history on her shoulders, it is the history of shared tragedy and suffering that awakes Duende. But then... Duende has a life of its own!!
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gj Michelob
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REPORT THIS POST AS INAPPROPRIATE |
Date Jan. 18 2015 20:17:45
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jmb
Posts: 119
Joined: Oct. 14 2014
From: Vallecas - Madrid - Spain
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RE: She's got it (?) THE ESSENCE OF ... (in reply to Ricardo)
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quote:
Manolo Sanlucar has stated numerous times that Duende and such flamenco myths are BS. It is logic in the case of Sanlucar, because he always fight for a sistematization of flamenco music with aim of improve his teaching. It is curious that many flamenco guitarrist are far from this concept (Lucía too), but most singers and many dancers belive in get "el pellizco". And is curious that Lucía always said that guitar is training and work but he, at the same time, described some great talents (singuers or even guitarists) as "una fuerzas de la naturaleza", a nature force. Some other like Gades o Morente, so rational like them, talked about 'duende', or much better about the so called and more accurate "pellizco" (pinch) as a very important issue to get. But, for me, it is difficult to understand or describe the feelings that you could lived with people like 'El Torta' sometimes or Morente concerts in San Juan Evangelista college. Now, in the tech age, is has to be an equation because "Duende" or "Pellizco" concepts are detested by modern flamenco studious that are looking for its patterns in mathematics. http://www.google.es/url?sa=t&rct=j&q=&esrc=s&source=web&cd=2&ved=0CCkQFjAB&url=http%3A%2F%2Felcorreoweb.es%2F2013%2F11%2F01%2Flos-duendes-y-el-pellizco-son-topicos-daninos-para-el-flamenco%2F&ei=TNK8VM36BYquU63pgJgN&usg=AFQjCNGv335Qkx2Mi-nIdp45sGVRdPgtLQ&sig2=I16FhhbApRP2cwTPzf3Ndw&bvm=bv.83829542,d.d24 I thing something similar happens with 'swing' concept in north-american music. The fact is that there are player with 'pellizco' and my cousin that has not
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Suenas payo ¡y lo sabes! Sing and string - other flamenco blog
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REPORT THIS POST AS INAPPROPRIATE |
Date Jan. 19 2015 9:08:41
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