Foro Flamenco


Posts Since Last Visit | Advanced Search | Home | Register | Login

Today's Posts | Inbox | Profile | Our Rules | Contact Admin | Log Out



Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.

This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.

We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.





RE: Sunday Driver   You are logged in as Guest
Users viewing this topic: none
  Printable Version
All Forums >>Discussions >>Lutherie >> Page: <<   <   1 [2]
Login
Message<< Newer Topic  Older Topic >>
 
estebanana

Posts: 9351
Joined: Oct. 16 2009
 

RE: Sunday Driver (in reply to estebanana

The varnish is done for what its worth. I'm just saving up for the Pegheds tuning pegs Chuck Herrin will send me. Then I can set this baby up and see what it sounds like.

The varnish material is from Joe Robson who makes fine varnishes in small batches in the same way early Italian varnishes were made by cooking pine resin with linseed or walnut oil. There's a learning curve to using this varnish, it's very difficult to get used to, or is was for me. It's not like the spirit varnishes I used to make with shellac and gum resins. Not that those varnishes are easy to use either.

I will continue to use Robson's varnish, the process of applying it is totally engaging and the depth is amazing. A thin varnish film looks miles deep. And it is dichroic when used the right way with a colored ground. It changes color in different light conditions, which is a hallmark of fine Italian varnish.

The varnish is more or less dry now, it will continue to dry for several months, but it is hard enough to take the feet of the bridge on the belly. I left the cello overall not as saturated with red as I had originally planned, but the more transparent red color varnish is growing on me. The varnish on violins sinks into the grain as it dries, unlike the desired finish on a guitar, and it's customary for violins and celli to eventually attain a degree of uneven varnish film that shows the texture of the wood.

Well as the man say's "on we go" , can't wait to play this baby soon.









Images are resized automatically to a maximum width of 800px

Attachment (4)

_____________________________

https://www.stephenfaulkguitars.com
  REPORT THIS POST AS INAPPROPRIATE |  Date May 5 2014 4:28:34
 
estebanana

Posts: 9351
Joined: Oct. 16 2009
 

RE: Sunday Driver (in reply to estebanana

An ff hole detail.



Images are resized automatically to a maximum width of 800px

Attachment (1)

_____________________________

https://www.stephenfaulkguitars.com
  REPORT THIS POST AS INAPPROPRIATE |  Date May 5 2014 4:30:37
 
Ruphus

Posts: 3782
Joined: Nov. 18 2010
 

RE: Sunday Driver (in reply to estebanana

If comments are welcome from who can hardly tell a cello apart from an upright vacuum cleaner:

I think it looks beautiful, especially the cross grain of its back ( almost Scottish tartan there!)
To my muddy eye the corners of the trim look too little rounded at the final edge though, and as if they could be after catching future sleeves.

Is it just clueless me or does the angle of the fingerboard look mighty steep?

Ruphus
  REPORT THIS POST AS INAPPROPRIATE |  Date May 5 2014 11:00:24
Page:   <<   <   1 [2]
All Forums >>Discussions >>Lutherie >> Page: <<   <   1 [2]
Jump to:

New Messages No New Messages
Hot Topic w/ New Messages Hot Topic w/o New Messages
Locked w/ New Messages Locked w/o New Messages
 Post New Thread
 Reply to Message
 Post New Poll
 Submit Vote
 Delete My Own Post
 Delete My Own Thread
 Rate Posts


Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET

0.03125 secs.