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how to create a falseta
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estebanana
Posts: 9351
Joined: Oct. 16 2009
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 RE: how to create a falseta (in reply to fxarzad)
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Whoa!
I know how you make falsetas. And it's not easy, but not impossible. Some ideas:
Listen to cante and try to imitate the voice line in a melody on guitar try to harmonize with it in some way on other strings. Try to count it out in compas and do the best you can to get it in compas.
Then take it to your teacher or a friend who is a good guitarist and show it to them an both of you tweak it around and work it over. That is what Gitano guitarists have done for generations.
Work for general rough ideas and refine it later. Or noodle around on the guitar and find interesting little riffs you makeup yourself and try to work those into compas.
If you are working in say Solea por arriba, learn the E Phrygian scale. Take that scale and try to sound out a singers melody with that scale and learn which chords go with which sections of the melody.
Here is the thing, in music you should try to work on your own ways of improvisation and composition right from the beginning. But while you do that show your ideas to your teachers. If you find a teacher not open to that keep that teacher if they teach well in other ways, but find one who is interested in looking at your own ideas. You will reinvent the wheel a couple times, but in the end you will not have reservations about making our own music.
You may come up with an idea that you revisit in two years and right now you may not be able to fully musically articulate it, but if you keep journals in tab or notation or quick recordings of your ideas, later you may be able to develop them. I have notebook with sketches of things I would have forgotten if I had not jotted them down.
Get a recorder and listen to yourself play when you make up ideas or record the fragments of ideas that are noodling little riffs.
Composing right from the beginning is a form of ear training, and I have had several teachers who were more or less conservative, but they encouraged spending some time making up small passages on my own. Use making up falsetas as a way to listen more deeply.
Ask questions about different players strategies in making falsetas, here is a classic:
Play a well known solea falseta once through as you learned it and then repeat the same falseta, but change the ending. Pretend the first ending is a call and then make up your own ending as a response. Many solea falsetas follow that strategy to make them interesting. You don't have to make up falsetas of your own but you can work over falsetas and give them your own twist to the way they begin or end. At first your work may not be great, but over time if you think that way you can come up with good falsetas. And again show these ideas to your teachers and ask for feed back and help.
Flamenco is like any other music, there is formal structure, but there is always room to play with those structures. The people who get good at flamenco study the masters of the toque, but there is no jail or hell you go to if you start experimenting right away.
In Christopher Parkening's Classical guitar method there is short piece which is an arrangement of a Japanese folk melody called Sakura. It so happens to be in E Phrygian in this version. With a little nudging here, a little tweaking there, it can be creatively altered to fit into Solea compas. It can serve as a primary source idea to make a falseta.
That is one example of taking music from one genre and adapting it to another. Historically many flamenco guitarists have taken melodies from other sources and spun them into falsetas. Sometimes it works sand sometimes it does not, but there is no such thing as The Falseta Police when is comes to where you draw your inspiration.
Michel Foucault said "Biography is form of record keeping. Let the Police keep records."
Jean Genet said "An artist goes at society at an oblique angle, like a criminal the artist is set apart."
Cheers, and good luck making up your falsetas,
S.
Most importantly ignore these sarcastic asses.
_____________________________
https://www.stephenfaulkguitars.com
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REPORT THIS POST AS INAPPROPRIATE |
Date Jan. 20 2013 22:54:02
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Ricardo
Posts: 14802
Joined: Dec. 14 2004
From: Washington DC
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RE: how to create a falseta (in reply to HolyEvil)
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quote:
ORIGINAL: HolyEvil
quote:
ORIGINAL: britguy
I can appreciate anyone's need for personal creativity, but with so many hundreds of wonderful Soleares ( and other) falsetas already out there, just waiting for the beginner to learn and enjoy, why would anyone want to spend time and energy tyring to create their own from scratch?
I totally disagree with this statement.
Creativity is one of the more important part of flamenco.
Without creativity, we'll just be like the classical world, where you play music that has been written from 200 years ago till last century (eg all the classical pieces) and played by heaps and heaps of other people.
And different musicians have different composition style..
I've always placed these 2 players on the different end of the flamenco spectrum, and everyone else falls in between them. Tomatito and Jose Luis Monton.
But if you're a beginner, just learn the basics like compas and technique.. and the creativity side hopefully would come after you have all the techniques and compas to go along with it.
It is not just about creativity and technique. There is also respect for the tradition, and taste. Even the greats such as PDL admit they often trash good music, not because it's not good, but because listening back with an aficionado's ear, it's simply NOT flamenco ....or flamenco "enough". I don't mean to be harsh but the way I think of it along those lines, (because there is infact SO MUCH one could study while waiting for creative inspiration) is if you have to ask others "hey, is THIS thing I made up proper flamenco?" ...then it probably is NOT. One must have done some work to compose in this genre. Sabicas put it this way...a guitarist needs to FIRST accompany cante for 20 years, and baile for 20 years....THEN he is ready to play solo (you can say create a composition too).
The point is the same...flamenco as a genre does not allow for carefree watered down shallow attempts at creativity. At first this level of discipline SEEMS constrained...but after one understands what the boundries are it soon becomes apparent the actual scope for creation is almost infinite. The art form as a WHOLE deserves the respect of students to NOT get ahead of themselves, as even the maestro's struggle with this all the time; creating something "new" that tastes ancient somehow.
Ricardo
_____________________________
CD's and transcriptions available here:
www.ricardomarlow.com
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REPORT THIS POST AS INAPPROPRIATE |
Date Jan. 22 2013 3:52:59
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