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Tom Blackshear

 

Posts: 2304
Joined: Apr. 15 2008
 

Blackshear/Reyes style 

It's been a long time but its finally at Savage Guitars in New York.

http://savageclassical.com/guitars/tomblackshear_318_reyes.html

This is for anyone who is interested. It took me quite some time to finish this one, as my old hands are getting slower. But the guitar tuned out very satisfactory and I'm glad I can still build for the playing pleasure of those who like fine art.

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Tom Blackshear Guitar maker
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 25 2010 14:29:43
 
Anders Eliasson

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RE: Blackshear/Reyes style (in reply to Tom Blackshear

Its a nice guitar Tom

Looks like them ole hands still know how to work top level.

The only thing I dont like so much is the rosewood. Its pale and dull IMHO. I actually prefer a good piece of Indian Rosewood.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 25 2010 16:50:31
 
doublek

 

Posts: 124
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RE: Blackshear/Reyes style (in reply to Tom Blackshear

it looks great but please i would like to ask a question..what is the deference between caviuna wood, the madagascar wood and palosanto? which one of them sounds more flamenco?
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 25 2010 16:58:58
 
Tom Blackshear

 

Posts: 2304
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RE: Blackshear/Reyes style (in reply to Anders Eliasson

quote:

ORIGINAL: Anders Eliasson

Its a nice guitar Tom

Looks like them ole hands still know how to work top level.

The only thing I dont like so much is the rosewood. Its pale and dull IMHO. I actually prefer a good piece of Indian Rosewood.



I agree but it was a piece that I had in my shop that was crying to be used. I have some more colorful sets but I have to charge more for those :-)
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 25 2010 17:03:37
 
Tom Blackshear

 

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RE: Blackshear/Reyes style (in reply to doublek

quote:

ORIGINAL: doublek

it looks great but please i would like to ask a question..what is the deference between caviuna wood, the madagascar wood and palosanto? which one of them sounds more flamenco?


I don't look down on your question but it really depends on the guitar maker's technique as to how it sounds. I don't deal with "one wood is better than another" but what kind of sound comes from my hands that fine-tune the voice.

Flamenco sound/tone comes from design and building techniques. If I choose to use a particular wood for the box, then I fine tune it to demonstrate Propio Sello; my personal stamp.

In other words, if a particular piece of wood has higher or lower frequency, then I tune it according to the frequency of the wood, to bring the top to my own preference in its voice. I hope this helps you.

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Tom Blackshear Guitar maker
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 25 2010 17:15:27
 
doublek

 

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  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 25 2010 17:34:11
 
doublek

 

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  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 25 2010 17:36:29
 
doublek

 

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  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 25 2010 17:37:30
 
doublek

 

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RE: Blackshear/Reyes style (in reply to Tom Blackshear

I had a question in my mind .. how much is your Reyes Model?
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 25 2010 18:10:52
 
Anders Eliasson

Posts: 5780
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RE: Blackshear/Reyes style (in reply to Tom Blackshear

quote:

I don't deal with "one wood is better than another" but what kind of sound comes from my hands that fine-tune the voice.


youp, I agree.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 25 2010 19:14:29
 
Tom Blackshear

 

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RE: Blackshear/Reyes style (in reply to doublek

quote:

ORIGINAL: doublek

I had a question in my mind .. how much is your Reyes Model?



The flamencos start at $7,500 for my first class Blanca and go to $9,500 depending on the woods used.

I tried another model for a lower price but it seems that no one was that interested in it.

So far, the Reyes style seems to be my best seller, when I build one.

I'm going to try and experiement with a 1934 Santos model for a lower price but that will take some time to find out how much lower in price I can go.

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Tom Blackshear Guitar maker
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 25 2010 20:20:01
 
cathulu

Posts: 950
Joined: Dec. 15 2006
From: Vancouver, Canukistan

RE: Blackshear/Reyes style (in reply to Tom Blackshear

$9,600 bucks! I can't figure it. I guess it will sell, but the price imho is insane - I will never buy one of your guitars... way to expensive! I guess I should never say never cause I might win the lottery. How can the price be justified? This is an honest question cause I can't understand it. What is a fair price for a luthier built guitar? How many hours go into one typically. What is the basic material cost? I got a luthier built guitar and it was no way near that price. But then I bought a guitar, not art.

Is it because it is ART?
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 0:17:41
 
Tom Blackshear

 

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RE: Blackshear/Reyes style (in reply to cathulu

quote:

ORIGINAL: cathulu

$9,600 bucks! I can't figure it. I guess it will sell, but the price imho is insane - I will never buy one of your guitars... way to expensive! I guess I should never say never cause I might win the lottery. How can the price be justified? This is an honest question cause I can't understand it. What is a fair price for a luthier built guitar? How many hours go into one typically. What is the basic material cost? I got a luthier built guitar and it was no way near that price. But then I bought a guitar, not art.

Is it because it is ART?


Well, I agree that wood cost is not the objective here but what the market will bear. I can remember back in the 70's when I sold my guitars for $125 but those days are gone, my friend. I never could afford a quality instrument like a Barbero or a Santos, so I learned how to build guitars; building my first guitar in 1958.

I took a look at some of the quality Luthiers' websites a few months ago and realized that I had fallen behind their prices, considerably, but I decided to keep my prices lower, as I don't need much money in my retirement. I have been where you are many times in the past and this is not condescending when I say, gain experience and pay your dues, and then you will understand.

If my guitars were not able to sell for a price that is quoted by the stores that sell them, then it is a fair assumption that they would not sell. In any case, I wish you all the best in your search for a guitar that you feel is worthy of your talent, and one that you can afford.

And I would like for you to know that I'm one guitar maker who enjoys the chat lists on occasion. I wish all the best for you.
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 3:52:34
 
Ruphus

Posts: 3782
Joined: Nov. 18 2010
 

RE: Blackshear/Reyes style (in reply to cathulu

quote:

Is it because it is ART?


I think so, yes.

I agree with what you see. Markets are out of hand, with the guitar section not being the most disfigured yet by far .
A reasonable way of economizing would be keeping pricing of goods in relation to moneys equipoise / average wages, but instead at the brink of deserting the planet, culture and economy aren´t as much about reason than about inasinity anyway, indeed.

That about contemporary markets, and from there prices for handmade guitars up in the tenthousands of dollars.


Next there is the attraction aspect of some guitars that can make musicians give in into the inflated marketing, even despite of tight budgets.
As an example you might notice how not a few who play their very expensive instruments in videos on youtube, considering the background ( room, furniture or what have you ) seem to be with humble living-standard, yet spent a huge amount for a guitar.
Notwithstandingly, fortunes paid for luthiery that can be bordering magic.

Analog to say audio engineering.
Since the upcoming of digital consumer technology, millions got themselves recording gear to track music.
Yet, only some dozen engineers being at the top, delivering distinctively better sonics than the crowd; - yet even if left with just low-end gear.

Most of their special qualification to my observation is the ability to predict.
They know how a current single tracks properties will be blending into a future mix. ( And from there set up the individual miking etc. - Often times self-confident enough to omitt / cut out considerbale bandwith of frequency irretrievably from start.)

Something so simple to describe, yet so special to do that it takes decades, some good luck and special talent to come together.

Behind fine luthiery I suspect something very similar. A neat gift of prediction.

Since the Nazi term of "degenerated art" and afterwards during the Cold War the US answer to Soviet "Realistic Art" through total arbitrariness, the term "art" has been blured and undefined to no recognition.
But to me it is a rather profane matter, greatly described once through my art teacher ages ago. He said something to the extent of "Art means the combination of idea and proficiency".

In sight of luthiery that would be adressing the specific picture / properties in mind the luthier has while building ( = idea), and his craftmanship to fulfill it ( = proficiency ).


Now, there always occures the occasional exception among batches of mass produced guitars. Lucky strikes that jut out from their siblings.
On their own account, after all enchanting specimens that one could be content with throughout his musical life.

But, compared to all around masterfully accomplished instruments you might find that the difference reminds of the one between family cars and sport cars.
"Sport cars" in the sense of resonating units so immediate that it feels under your fingertips as if there was rearing before you even spored.

Or how notes won´t lower in volume when you travel up the trebles.

Or overtones in delighting harmoy. Or separation; bold fundamentals. Playability ...
All refinement that can spoil you to no return.


Just lately I saw a post from someone on this board who considered quitting guitar playing altogether, just because he had to give away his two concert-level instruments.
While I completely agreed with his fellow players who marked that one can do with a medocre instrument as well, - which I personally defintily would -, me felt the frustration of the poster as understandable.

You can make a search on youtube for a "2004 Blackshear" flamenco guitar. If you let yourself sink in and listen attentively, despite the imperfect audio, I am sure you will perceive those characteristics of that guitar that potentially can make oneself constrict to eating cripsbread only to safe up for insanely expensive guitars like that.

Ruphus
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 18:20:34
 
Anders Eliasson

Posts: 5780
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RE: Blackshear/Reyes style (in reply to cathulu

quote:

How can the price be justified?


Well, prices can never be justified. Prices are because of the laws of the free market economy and nothing else. Therefore, If some pays 9400 yankee dollares.. Then its a fair price. Like it or not
Cathulu, in order to understand instrument prices, please take a close look at the prices of professional level classical trumpets, cellos, violins etc. You´ll see that the price of Tom´s guitar is low and the price of my guitars is VERY low. Guitars are cheap instruments. So dont worry, be happy.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 18:32:10
 
Anders Eliasson

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RE: Blackshear/Reyes style (in reply to Tom Blackshear

quote:

I took a look at some of the quality Luthiers' websites a few months ago and realized that I had fallen behind their prices


From that I can read that you dont consider me as a quality Luthier.

Just joking... But beware of what you write Mr. Blackshear. It could hurt someone.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 18:34:05
 
gemelo

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RE: Blackshear/Reyes style (in reply to Anders Eliasson

quote:

in order to understand instrument prices, please take a close look at the prices of professional level classical trumpets, cellos, violins etc.


Yes, I have seen violin bows that are more expensive than my 1a guitar.
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 18:43:31
 
cathulu

Posts: 950
Joined: Dec. 15 2006
From: Vancouver, Canukistan

RE: Blackshear/Reyes style (in reply to Anders Eliasson

Yes, I quickly checked your website and saw your price list before I commented!

Not sure about the guy with the long winded post, what was that all about...

To me it is hype, and not a reflection on a fair market value. It is someone becoming popular, for whatever reason, and then they have a wait list and they can justify higher prices because of exclusivity, nothing more. It is the getting the guitar from a specific luthier, rather than getting the guitar. It is a potential investment. It is irrational behaviour! But we all get sucked into it.

Imagine what would happen if PDL endorsed and played Eliasson guitars. I am sure the price would be able to increase substantially, yet the guy and the instrument are the same.

I am sure there is no real objective difference or sound improvement between Blackshear and Eliasson or other decent luthier guitars. Yes, some difference in sound, but not a bad difference. Even some amatuers produce amazing instruments. It is a fancy wood box.
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 19:07:35
 
cathulu

Posts: 950
Joined: Dec. 15 2006
From: Vancouver, Canukistan

RE: Blackshear/Reyes style (in reply to gemelo

Now a violin bow more expensive than a Luthier built guitar? Yes that makes obvious sense even to me!
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 19:13:57
 
at_leo_87

Posts: 3055
Joined: Aug. 30 2008
From: Boston, MA, U.S.A

RE: Blackshear/Reyes style (in reply to cathulu

quote:

Imagine what would happen if PDL endorsed and played Eliasson guitars. I am sure the price would be able to increase substantially, yet the guy and the instrument are the same.


it's not just guitars. everything else in the world works this way too. brand names cost more than no names. it's about reputation. building reputation takes work.

if a maker builds his reputation honestly, and builds fine guitars, then he should get whatever price he can get.

same thing with guitarists. guitarist A may play as well as guitarist B, but the one with the better reputation or higher marketing skills gets the job or more money.

it's not up to anyone to say they don't deserve it. it's their life work.
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 19:20:10
 
Tom Blackshear

 

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RE: Blackshear/Reyes style (in reply to Anders Eliasson

quote:

ORIGINAL: Anders Eliasson

quote:

I took a look at some of the quality Luthiers' websites a few months ago and realized that I had fallen behind their prices


From that I can read that you dont consider me as a quality Luthier.

Just joking... But beware of what you write Mr. Blackshear. It could hurt someone.


Just remembering the market and what we all have to put up with when selling our instruments :-)

But I'm happy with my one or two guitars a year.

And I hope I didn't imply that SOME of the quality luthiers are necessarily better than ours' just because their prices are higher. In fact. it is in our best interest to have lower prices, as it would be a better potential toward a wider market, to say the least.

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Tom Blackshear Guitar maker
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 19:25:10
 
cathulu

Posts: 950
Joined: Dec. 15 2006
From: Vancouver, Canukistan

RE: Blackshear/Reyes style (in reply to at_leo_87

Well, I don't think I directly said they don't deserve it, but I guess I implied it. I just don't understand it. Henry Ford wouldn't either.

Call it reputation, popularity or whatever.

There are luthiers that build guitars and feel uncomfortable about charging over a certain amount believe it or not, they do not understand the pricing of guitars either.

But I guess if you have a wait list of 100 guys, charge more and get a wait list of 10. That is supply and demand. I get it. I am not a commie, I believe in the capitalistic system. But it is crazy, no?

But if you think you are getting a much better instrument or more money went into it other than some more expensive tuners, well I think generally people may be kidding themselves...
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 19:28:23
 
Tom Blackshear

 

Posts: 2304
Joined: Apr. 15 2008
 

RE: Blackshear/Reyes style (in reply to cathulu

quote:

ORIGINAL: cathulu

Yes, I quickly checked your website and saw your price list before I commented!

Not sure about the guy with the long winded post, what was that all about...

I am sure there is no real objective difference or sound improvement between Blackshear and Eliasson or other decent luthier guitars. Yes, some difference in sound, but not a bad difference. Even some amatuers produce amazing instruments. It is a fancy wood box.


All guitars are basically the same as far as their conditioning that tells us they are guitars but there are many variables with each guitar maker that makes their work a personal stamp.

There is no similarity in this sense as it is by the hand of each maker. I've said this before; even if two instruments were the same in volume and articulation, the end result is going to be that the voice which comes closer to the player's soul, is going to be the one he chooses.

If you can't hear a difference in each voice, then you have a problem being able to choose what is right for you.

_____________________________

Tom Blackshear Guitar maker
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 19:34:23
 
Armando

Posts: 302
Joined: May 27 2005
From: Zürich, Switzerland

RE: Blackshear/Reyes style (in reply to cathulu

quote:


Well, I don't think I directly said they don't deserve it, but I guess I implied it. I just don't understand it. Henry Ford wouldn't either.

Call it reputation, popularity or whatever.

There are luthiers that build guitars and feel uncomfortable about charging over a certain amount believe it or not, they do not understand the pricing of guitars either.

But I guess if you have a wait list of 100 guys, charge more and get a wait list of 10. That is supply and demand. I get it. I am not a commie, I believe in the capitalistic system. But it is crazy, no?

But if you think you are getting a much better instrument or more money went into it other than some more expensive tuners, well I think generally people may be kidding themselves...


Hy cathulu

Your comments have provoced me to place my opinion about this issue as well.

I'm an amateur luthier and i'm still far away of selling my instruments for such a price as Tom does it, but i have to say that this price is a justified price for an instrument of that quality. I have built six guitars so far. I have donated my first guitar, the second was sold for 800 dollars, the third was crapp and ended in the ofen, the fourth is not yet finished, the fifth is still in my possession, the sixt will be sold for 2000 dollars.

Don't forget, that it takes 200 to 300 hours of work to build a good guitar.
Apart of the work we have to buy wood and store it for years before we can use it.
We need to buy tools and stuff in order to be able to build guitars and we need a place where to build them. So that's a lot of investment we have to put into this, before we are even able to build and sell an instrument and get a return on invest.

Nowadays most people look for the fast money, but guitarmaking is everyting else than that. We have to study many diffferent issues and we often learn by trial and error. That costs us materials, time, effort and also money. All of this is needed in order to earn experience and improve our building. Form a commercial point of view it can be frustrating to see, how little people are aware of all this things and how many people underestimate our trade.

So the money Tom askes for his guitar is justified and i think that every luthier should get a fair price for his guitars.

If we are talking about fairness, then i have to turn the lance, because what is really unfair is not a price that is too high. Nobody is obligued to buy a guitar that he cannot afford. What is much more unfair is that some luthiers are forced to sell their guitars under value because they need to survive.

I often missed that i didn't managed to become a professional guitar maker, but if i have to read this type of discussion then i have to say, "thanks good i'm not a professional luthier". I'm not depending on the money i'm earning with luthiery. I can sell my guitars or not. I don't care and i'm not going to sell my guitars under priced again.

regards

Armando

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  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 20:07:53
 
Anders Eliasson

Posts: 5780
Joined: Oct. 18 2006
 

RE: Blackshear/Reyes style (in reply to Tom Blackshear

quote:

the third was crapp and ended in the ofen


I know the feeling. I burned 2 of my 80 guitars so far. Poor and very expensive firewood.

I dont believe in the capitalistic system but I have no alternative. I dont think any price in the capitalistic system can be justified but I have to accept that I live in this world.
Money is a thing that cannot be discussed because you can always find examples which are totally far out. I give you 2:
1) A violin bow which cost more than 10 times the price of Tom´s guitar
2) A farmer gets less than 20 cents for a kilo of absolutely top quality tomatoes.

The money world is totally absurd and we adore it as if it was God itself.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 26 2010 21:51:54
 
diazf

Posts: 52
Joined: Jan. 2 2006
From: NYC

RE: Blackshear/Reyes style (in reply to cathulu

Cathulu--
Your comment is one sided.
I used to think like you and for that very reason I decided to build my own. After building a few boxes, I've earned a great deal of respect for luthiers making a living from their craft. I suggest you try and build one of these 'fancy boxes' before you speak out of context. Not all guitars a built the alike.
Cheers,
--Fabian
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 27 2010 3:36:14
 
Ruphus

Posts: 3782
Joined: Nov. 18 2010
 

RE: Blackshear/Reyes style (in reply to Tom Blackshear

Yep, he seems neither differenciating nor too logical.
For one, luthier guitars seem all on similar level to him, secondly he advocates capitalism / in the same time finds fault with over pricing.

Ruphus
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 27 2010 8:21:14
 
Stephen Eden

 

Posts: 914
Joined: Apr. 12 2008
From: UK

RE: Blackshear/Reyes style (in reply to Tom Blackshear

If a guitar is over priced then it wont sell. If it sells quickly perhaps it is underpriced?

I sell my guitars for £2500 which is hard enough to sell at. of course if I sell through a shop then I sell it for alot cheaper! I build 20 guitars a year! thats quite a few more than most of the luthiers I know. I spend 50 hours a week in the workshop building. I spend 1-3 hours a day outside the workshop researching, admin and speaking with clients. After all this when the accounts are done and the actual money that I earnt is counted. It works out to be the same as someone sitting on a checkout in a super market!

Now i'm not saying that I have more skill than that person but I do consider my work to be more skilled. How skilled well thats something for you to find out. I do think however that there are alot of people out there earning alot more money for alot less work.

Nice guitar Tom is there a clip any where?

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Classical and Flamenco Guitars www.EdenGuitars.co.uk
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 27 2010 10:26:23
 
Tom Blackshear

 

Posts: 2304
Joined: Apr. 15 2008
 

RE: Blackshear/Reyes style (in reply to Stephen Eden

quote:

ORIGINAL: SEden

If a guitar is over priced then it wont sell. If it sells quickly perhaps it is underpriced?

Nice guitar Tom is there a clip any where?


The only sound clip is the one just recently recorded by Richard at his store.

Samantha's Lullaby by Richard F. Sayage -

Not really a flamenco piece but shows some clarity and balance.

But the guitar has plenty of flamenco vibes as I've played it in fairly well before it was shipped out to the store. Fast action with picado but you can dig in when necessary, with the thumb.
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 27 2010 12:41:54
 
Ruphus

Posts: 3782
Joined: Nov. 18 2010
 

RE: Blackshear/Reyes style (in reply to Tom Blackshear

quote:

If a guitar is over priced then it wont sell.


Just to clarify, for my part ( ergo, not Cathulu´s), when I mean "over priced" it is not being referred to conditions under capitalistic doctrine, but under inherently coherent aspects.

However, still under decoupled assesement as under capitalistic exegesis your observation won´t completely match, as very much so items being sold through the roof for goods- and produce-unrelated circumstances like price rigging, artificial shortage in availability, market protectionism, image / prestige matters, marketing tactics etc.

Manipulation none of which will account to guitars of Tom, but quite in terms of your principle statement.
Reality is that many goods are being sold notwithstanding over pricing.

Ruphus
  REPORT THIS POST AS INAPPROPRIATE |  Date Nov. 27 2010 15:25:01
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