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Tientos
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Phil
Posts: 382
Joined: Jul. 7 2003
From: Rota, Spain
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RE: Tientos (in reply to Merle)
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Merle, I don't know much about counting, but I do know that there's supposed to be a 3 somewhere between the 2 and the 4 . Seriously, I'm taking lessons in Jerez and, believe it or not, they do not count. The most I've ever heard my teacher count is 1,2 maybe to mark a pause or a golpe and a pause. Anyway, this has nothing to do with your question, does it? I know very little about music, but I'm learning and I've seen Tientos transcribed in 4/4 and 2/4 time. I think 2/4 is probably more technically accurate because the accented beats are typically 1 and 3 (if it's written in 4/4 time). I'll try to post a little Tientos that I learned in Jerez and you can compare it to what you're learning. I'll have to see if I can play for a mintue and a half without making 12 mistakes. I've also attempted to transcribe the falsetas in Guitar Pro. Iif you're interested, I'll trade you for that Malgueña Phil
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Date Jul. 12 2003 1:35:21
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Merle
Posts: 218
Joined: Jul. 6 2003
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RE: Tientos (in reply to Merle)
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Phil, I would really like to hear, how you hear it, tientos from where you live. Tientos is such a, well, differerent, uh palo, and it is so BEAUTIFUL to my ears. It has that lonely feeling, and to me at least, it has that, "maybe, just maybe, every thing will be OK", feeling!! ;>) (BUT THEN AGAIN, MAYBE NOT, FEELING)! :>0 Merle
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Date Jul. 12 2003 1:44:59
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Merle
Posts: 218
Joined: Jul. 6 2003
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RE: Tientos (in reply to Merle)
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Tom, I played this tientos at the tempo that Juan Martin does in his El Arte flamenco book, page 108. Phil, if you have this book, I'm just going by the way Martin tells me how to count it. 1 and 2 and a 4 I mean, it has a 3 in there, it has to, but on page 107 it explains why the 3 is left out of the traditional way of counting tientos. I mean, I'm just going by what I'm reading and hearing, remember I'm a beginner here in Utah, and I have no one else to correct me!! ;>) Merle P.S. Tom, I have a new computer and lost the url to your website. Please post it here for all of us.
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Date Jul. 12 2003 20:27:28
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Phil
Posts: 382
Joined: Jul. 7 2003
From: Rota, Spain
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RE: Tientos (in reply to Merle)
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Tom, First, how did you get the subject line to read (in reply to Phil)? Did you type it in or was it automatic? I see nothing on my screen that allows me to reply to a specific poster. I'm using Netscape because IE just stop working properly and I couldn't fix it even with downloads from MS, could that be the problem? Regarding Tientos: I agree that it should be played slowly and with strong accentuations. I started cante accompaniment class last week, which is a group class, and my teacher is always telling people to SLOW DOWN on Tientos, Soleas, and Siguiriyas. He even has to slow people down on Tangos! So it's not a problem exclusive to American guitarists. Like Ron said, nowadays Tientos almost always finishes with Tangos and I'm talking about the cante, not solo guitar or cante with dance. In fact you rarley see dancers at the peñas around here, which is kind of a shock to tourists who associate Flamenco so strongly with the dance. Usually the only dancing you see is an impromtu dance por Bulerias by the singer or the palmeros. It seems that with the professional dancers today EVERYTHING ends up being a Bulerias even Siguiriyas! Hell, they managed to contrive a dance por Martinetes so I guess anything goes today. Sorry, didn't mean to go on a rant Phil
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Date Jul. 12 2003 21:52:15
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Guest
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RE: Tientos (in reply to Phil)
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Tangos and tientos are very closely related. Tangos is from Cadiz. Tientos was invented by Enrique el Mellizo, by slowing down tangos. The modern way to play it is with some syncopation: this was not the case originally. Please note that all my references are to cante: I do not regard solo guitar as flamenco, though I realise it may be the only option, depending on where you live Sean
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Date Jul. 12 2003 22:40:53
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Merle
Posts: 218
Joined: Jul. 6 2003
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RE: Tientos (in reply to Phil)
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I understand what everyone is saying about the tempo of tientos. As a matter of fact, I normally play tientos much slower with more emotion, feeling, ect. But, during this month I'm recording a practice CD, so I'm listening to the material before I record it, and this is about the tempo tha Juan Martin plays it on the El Arte book. Also, listen to his tientos in his new book, Solos Flamencos, and the tempo is not really slow! I don't know!! I'll re-record this tientos the way I normally hear it, but, again, I'm just setting the metronome to about how Juan Martin does. I guess that is why flamenco is flamenco! There are no real rules, is there? Merle
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Date Jul. 12 2003 23:59:23
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