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Truss Rod?
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Estevan
Posts: 1936
Joined: Dec. 20 2006
From: Torontolucía
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RE: Truss Rod? (in reply to Ramon Amira)
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quote:
[PC:] Please name some. Greg Smallman, Ian Kneipp, John Price, Jim Redgate, Graham Caldersmith, and probably a number of other Australian makers. quote:
[Kevin R.:] I'd still like to know why I don't know all the technicalities but broadly speaking Smallman's idea was to pursue Torres's notion of the top being all-important, so he developed a way of building in which the top is extremely light (less than 1mm thick, with carbon-reinforced balsa lattice bracing) and the rest of the instrument is made heavier and solider than traditional in order to stop the vibration from dissipating through any part but the top, and putting a truss rod in the neck is part of the formula. A lot of luthiers (particularly in Australia) have adopted their own versions of Greg's innovations. Somewhere on the web there's an interview with Jim Redgate who has his own related explanation. The method has produced some extraordinary classical guitars, but I don't think it would work for flamenco. quote:
[PC:] I continue to believe that a fine luthier guitar does not require, nor should ever have, a truss rod. As you like; I believe that those I cited are all fine luthiers.
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REPORT THIS POST AS INAPPROPRIATE |
Date Nov. 14 2009 9:26:56
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Ramon Amira
Posts: 1025
Joined: Oct. 14 2009
From: New York City
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RE: Truss Rod? (in reply to Estevan)
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Well, certainly the top is all important, as Manuel Ramirez demonstrated with his famous 1862 guitar made with papier mache back and sides. So there may be something to be said, as you point out, from stopping the vibrations from dissipating through anything but the top. I'm not sure I see why a truss rod would be necessary in addition to the other innovations. But apart from that there is a question of esthetics. I personally shudder to think of a piece of steel running through the neck of a fine guitar. And even though, as Manuel Reyes points out, "sound starts at the hueso cejilla," Spanish luthiers are loath to put metal of any kind on a guitar, even machine tuners. But of course these days it's commonplace. I suspect, though, that you would be hard pressed to find a skilled Spanish luthier putting in a truss rod. And no, none of this could ever work for a flamenco guitar.
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Date Nov. 14 2009 10:24:13
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Guitarsid
Posts: 52
Joined: Aug. 5 2013
From: Maryland USA
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RE: Truss Rod? (in reply to polishcomedy)
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quote:
I'm wondering how necessary it is. Do you guys have them? My Cordoba has a truss rod, it is absolutely great, and it is about time a nylon builder finally has recognized and accepted the overwhelming advantages they provide, with no disadvantages whatsoever, positively none. But old traditions are sacrosanct and it will be a very long time before most will ever come around. Obviously, you can make nylon guitars without them and get by, but you can make them much better by installing one. In some instances, a simple turn of the allen wrench will do the same as what removing the frets, planing the board, and thus changing the neck thickness, reinstalling the frets, redressing, and in the process, eliminate the cost, labor, downtime involved. It allows for tweaks when the wood moves, when different tension strings are used, and it provides opposing resistance to the string tension which results in more stability over the entire life of the guitar's neck. And nylons do exert more than enough pressure to induce a front bow and to distort the profile with time.
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Date Oct. 4 2013 17:25:59
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