Triplet rasgueado! “Which one?”

Ahh, the triplet rasgueado. Loads of variations of this fabulous technique exist, the most popular two being:

  1. Up with the thumb, down with both the middle & ring fingers, & down with the thumb to finish. Notated in most cases with (P am p)

 

  1. Up with the thumb, down with the pinky, & down with the index to finish. Mostly notated as  (P c i)

 

So which one is the correct one to use? Both! The truth is, both have their place. The older more “Traditional” way is the first method. This gives a slightly more “Powerful” attack, great for use when accompanying dancers. Well-known exponents of this method are Juan Martin, Diego del Gastor, Oscar Herraro, Serranito & Moraito. The latter three switched to or incorporated the more modern 2nd method in later years.

The newer method of thumb, pinky, index (P c I) tends to produce a little more of a refined, crisper sound for solo playing or Canté accompanying. I like both, however, I’m tending to use the newer method for it’s crisper sound. Tomatito, Pepe Habichuela, Paco peña,  Paco de Lucia & the mind blowing Danny de Stockport!! Er!!! Are some exponents of the 2nd method.

 

Mind you, watching Juan Martin’s right hand as he plays the (P am p) method is a joy to behold. His right hand technique is so relaxed & natural. Also, for the newer method, check out Tomatito in the video “Rito y grafia del toque” volume 5. Inspirational in the extreme!

Practicing the triplet rasgueado!

Practice the following slowly, i.e. go through the exercise

 

 

 

 

 

Slowly but execute each movement quickly. I find the best way to achieve that crisp sound with this rasgueado, is to ensure that each finger & thumb stroke clears all 6 strings as quickly as possible. Just use the E major chord so you can concentrate on the actual right hand technique only. Just do the top exercise (Numbered #5), for two to three weeks 10 to 15 times a day. You’ll notice a bit of tension in the right hand when you first start doing this. That’s to be expected. When you get the “Tension” stop the exercise & move on to something else. Return to the triplet rasgueado exercises when the hand feels a little more relaxed (Usually about 3 – 5 minutes). As the days pass, & strength builds up in the little & index fingers, you’ll notice the hand tension reducing until the technique is nice and relaxed. After two to three weeks on the first exercise, move onto the second exercise instead. Again, for two to three weeks. When this finally starts to feel O.K. it’s a good idea to alternate daily between the two exercises & find some nice pieces to play incorporating triplet rasgueados. You’ll soon have Tomatito phoning you up begging for lessons!! Remember, STICK WITH IT!! It takes time & perseverance to succeed at anything ESPECIALLY the guitar. Is it worth it? You bet! Have fun!